With a millennial history and a wealth of cultural influences from East and West, it is to be expected that Bulgaria has its unique set of authentic traditions and customs. Just like the majority of Europe, Bulgaria celebrates Christmas and Easter as two of its primary holidays, and many of the associated customs like the Christmas tree and Easter eggs are also present. However, a whole lot of Bulgarian customs and traditions are completely weird and even bizarre. According to one custom , a priest throws a cross into a river or lake and all willing men jump after the cross in a competition to reach and retrieve it. The saying goes that whoever catches the cross will be happy and healthy throughout the year.
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Bulgaria has a long-standing musical tradition dating to the early Middle thefoodlumscatering.com of the earliest known composers of Medieval Europe, Yoan Kukuzel (ca. ), became famous for his work Polieleion of the Bulgarian thefoodlumscatering.com 90 of his works have survived. When dating someone from Bulgaria, it's important to respect customs and traditions of the culture. In the United States, dating can be a casual thing while in Bulgaria it is taken seriously because women are highly respected. Bulgarian Wedding Reception In the old days, the reception would take place at the groom's home. In more modern times, it takes place at a catering hall or restaurant where the groom's mother lays a long, white handwoven cloth at the door for the new couple to walk on as she strews flowers in their path to ensure health and happiness.
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Regional folk musical styles abound in Bulgaria. Much of traditional folk music revolved around holidays like ChristmasNew Year's Day, midsummer, and the Feast of St.
Lazarusas well as the Strandzha region's unusual Nestinarstvo rites on May One internationally known artist, Valya Balkanskasang the song Izlel e Delyu Haydutinwhich was chosen to be part of the Voyager Golden Record selection of music sent into space in the two Voyager spacecraft launched in Alternatively, one can take off the martenitsa earlier if one sees a stork considered a harbinger of spring.
One can then tie the martenitsa to the blossoming branch of a tree. Family-members and friends in Bulgaria customarily exchange martenitsas, which they regard as symbols of health and longevity. The white thread represents peace and tranquility, while the red one stands for the cycles of life.
It preserves an ancient pagan tradition.
Many legends exist regarding the birth of this custom, some of them dating back to the 7th-century times of Khan Kubratthe ruler of Old Great Bulgaria. Other tales relate the martenitsa to Thracian and Zoroastrian beliefs. Romania and some parts of Greece also have a similar custom.
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The costumes, made of animal furs and fleeces, cover the whole of the body. A mask, adorned with horns and decoration, covers the head of each kukerwho also have bells attached to his waist. The kukeri dance, jump and shout in an attempt to banish all evil from the village. Some of the performers impersonate royalty, field-workers and craftsmen. The adornments on the costumes vary from one region to another.
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This ancient custom involves dancing into fire or over live embers. Women dance into the fire with their bare feet without suffering any injury or pain. Local archaeologists assume that the number of archaeological sites is the third-largest in Europe after Italy and Greece. According to the Bulgarian Statistical Institute as of there were 75 theatres in Bulgaria including National Opera and Ballet of Bulgaria with around 30, seats altogether. The first theatrical production was presented in Shumen in The name of Dobri Voynikov means the beginning of the Bulgarian theater.
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They call it the father of the Bulgarian drama and theater. According to the fact - an inaccurate definition, because the first dramaturgic work in Bulgaria is the comedy of Theodosius Ikonomov, "The Lovecycle Wanderer or Bella of the hunting poet Sahatchiya", published in but compiled as early as The first theatrical performances on the Bulgarian stage are also not Soldiers. These are the comedy "Mihal", translated by Greek and adapted for the Bulgarian audience by Sava Dobroplodni, who organized her performance in Shumen, and the dramas "Multitudes Genoveva" and "Belisarius", placed by Krastyu Pishurka in Lom.
All three titles were first played in Vazov tells of theater in the 70s of the 19th century. Until then, dozens of theatrical and pre-theatrical performances have been performed.
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The first of them began to be organized in the s and s. Even then there are traces of scenographic attempts in our country. A more important theatrical fact during the Renaissance was the creation of the Svishtov People's Theater.
The Bulgarian performances in the town began in the s, when the two enthusiastic theaters - Dimitar Shishmanov and Nikolay Pavlovich - returned in their home country.
The first is a director, the second is a local theater painter.
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The Svishtov performances are played on a specially built stage, whose artistic layout is entrusted to N. And he probably managed to overcome the level of the then Bulgarian theater. During the period - the Bulgarian theater entered a new stage of its development - a stage of real professionalisation of the acting art, the Europeanization of the appearance of the spectacle and the permanent establishment of the National Theater as a nationally representative cultural institution.
The Bulgarian Theater in the years to has ideological-party orientation. It is in the service of socialist realism.
The arts are called "the means of education", and "socialist realism - the only method of artistic creativity". Changes in society, culture, the arts, the theater are ubiquitous. The imposition of socialist realism takes place through the repertoire, the new Bulgarian drama, as well as the staging practice. The dynamic development of the Bulgarian theater after typifies theater phenomena for a long period of nearly 25 years and highlights by them trends, essential characteristics and innovative movements.
Bulgaria has a rich heritage in the visual arts, especially in frescoesmurals and icons. The Thracian Tomb of Kazanlak offers fine examples of excellently preserved ancient Thracian art. Tomb art provides one of the most important sources of information about Thracian lifestyle and culture. Visual arts in the Bulgarian lands experienced an upsurge during the entire period of the Middle ages [ citation needed ]. The crypt of the Alexander Nevski cathedral features an exhibition of a large collection of medieval icons.
The earliest of those dates from around the 9th century AD. The Tarnovo Artistic Schoolthe mainstream of the Bulgarian fine arts and architecture between 13th and 14th centuries, takes its name from the capital and main cultural center of the Second Bulgarian EmpireTarnovo.
Although it shows the influence of some tendencies of the Palaeologan Renaissance in the Byzantine Empirethe Tarnovo painting had its own unique features which makes it a separate artistic school.
The works of the school show some degree of realism, portrait individualism and psychology. The unique and realistic portraits in the Boyana Church class as forerunners of the Renaissance.
The wall piers and the arches often featured medallion-shaped bust images of saints. Along with traditional scenes such as "Christ's passions" and "Feast cycle" in the second layer; "Christ Pantokrator" in the dome and the Madonna with the infant Christ in the apse, specific images and scenes also appear.
During the period of Ottoman rule the authorities suppressed Bulgarian art. Many churches suffered destruction, and newly built ones remained somewhat modest. The more pieces the dish smashed into, the more luck the couple would have. It was considered good luck for the bride and the groom to step into the church with their right foot first.
At the end of the ceremony, the couple exchanged rings and a kiss. Then came the custom of "stepping. In the old days, the reception would take place at the groom's home. In more modern times, it takes place at a catering hall or restaurant where the groom's mother lays a long, white handwoven cloth at the door for the new couple to walk on as she strews flowers in their path to ensure health and happiness.